Multimedia Content Production
Week | Name | Description |
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Zoom povezava | Na tej povezavi se bomo srečali na vajah ob urah: 12:15 |
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video posnetki za vaje | video posnetki za vaje |
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Uvodne informacije | Uvodne informacije |
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Uvod | ||
Digitalna multimedija - osnove - 1.del | ||
Teorem vzorčenja | S pomočjo miške (klik po osi x) spreminjamo frekvenco. |
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Digitalna multimedija - osnove - 2.del | ||
Video - 1.del | ||
Video - 2.del | ||
Animacija | ||
Zvok | ||
Besedilo | ||
razširjena resničnost | ||
navidezna resničnost | ||
Learning Resources | Learning Resources |
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Navodila za izdelavo projekta | ||
19 February - 25 February | Splošno o laboratorijskih vajah | |
Tečaj OSX | ||
26 February - 3 March | 1. vaje | Uporabniški vmesnik , Začetek z delom Uvoz Organizacija |
1. vaja | ||
4 March - 10 March | 2. vaje | Organizacija Opomba: Analiza govora deluje samo do verzije cc 8.1 (več). Zaradi tega so se pojavile rešitve z ustreznimi vtičniki (plugin): Za preizkus z novejšimi različicami uporabite posnetek, kjer je tekst že združen. Update: od verzije 15.4. je funkcija spet na voljo: Update 02: od verzije 22.2 se ne uporablja več oblačne storitve, ampak je funkcija integrirana v program. Podpora za prejšne verzije se je iztekla 7. februarja 2023. https://helpx.adobe.com/premiere-pro/using/speech-to-text.html Urejanje |
2. vaja | ||
11 March - 17 March | 3.vaje | Urejanje posameznih slik Oznake (Markerji) Premikanje in brisanje posnetkov iz sekvence |
3. vaja | ||
18 March - 24 March | 4. vaje | Prehodi Urejanje, hitrost
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4. vaja | ||
vaja04.prproj | ||
vaja04b.prproj (4.vaja) | ||
Osnovni pojmi - razlaga | ||
Primer scenarija | ||
Primer razdelave | ||
Primer SNEMALNE KNJIGE | ||
How to Make a Storyboard for Video | ||
Elements of Cinematography: Camera | ||
The Art of the Storyboard: A Filmmaker’s Introduction: John Hart | ||
Film Directing Shot by Shot by Steven Katz | ||
Kamera – osnove | filmski plani, total, amerika, srednji plan, doprsni plan, portret, close up, detajl, (ekstremni) spodnji rakurz, nevtralni rakurz (ekstremni) zgornji rakurz, švenk, zoom, vožnja, kran, kamera iz roke, steadicam, daljinsko voden helikopter |
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Kamera – napredno | ravnotežje beline, ostrina, zaslonka / iris, osvetlitveni čas, širokokotni objektiv, teleobjektiv |
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Kompozicija slike in barve | kompozicija, sredinska kompozicija, zlati rez, diagonale, primarne barve, sekundarne barve, terciarne barve, harmonične barve, komplementarne barve, svetla osvetlitev, srednja osvetlitev, temna osvetlitev |
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Osnove osvetlitve | studio, reflektor, vir svetlobe, filtri, difuzor, kontra luč, zlata ura, zeleno ali modro ozadje (green / blue screen), tri- in štiritočkovna osvetlitev, glavna luč, dosvetljevanje, film noir, neo Noir |
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Zgradba filma | kader, prizor, prehod, rez, filmski prostor, smer pogleda, filmski čas, flashback, flashforward, kontinuiteta gibanja, os akcije, rez na akcijo |
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Stoptrik animacija | ||
Animirajmo! Priročnik za animirani film | ||
25 March - 31 March | 5. vaje | Zamenjava posnetkov in Gnezdenje sekvenc Napredno rezanje |
5. vaja | ||
vaja05a.prproj | ||
What is a Storyboard? The Fundamentals to Get You Started | Planning a video or sequence in a film doesn’t come second nature to most filmmakers. Serious prep is required. Lucky for you, there are tools to make this easier. Laying out your vision in a storyboard is one way to do it. What is a storyboard you may ask? It is a roadmap that will guide your journey from script to screen. To really grasp the benefits of storyboarding, we’ll go beyond a simple storyboard definition to explore how filmmakers like Ridley Scott and the Coen Bros. rely on this fundamental process and how easy it will be for you to do the same on your next project. |
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How to Make a Storyboard for Video and Film: The Definitive Guide | You’ve got a big shoot coming up. You want to visualize the scenes you plan to shoot with a storyboard, but you’re wondering how to make a storyboard that touches on everything a good storyboard should. Odds are many filmmakers create storyboards “wrong.” Or (*cough*) ignore the crucial step of storyboarding altogether. Drawing and formatting fears, technical limitations, concerns about budget — there are a lot of reasons to avoid storyboarding. But it doesn’t have to be stressful. You just have to know how to create a storyboard in the most efficient way. These nine easy steps will have you storyboarding like a master filmmaker in no time. |
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1 April - 7 April | 6. vaje | Učinek Gibanja Učinek Transformacije |
6. vaja | ||
vaja06.prproj | ||
8 April - 14 April | 7. vaje | 7. vaje: Premiere Pro: delo z več kamerami Za novejšo različico si poglejte še video: https://helpx.adobe.com/premiere-pro/how-to/multicamera-improvements-premiere-cc.html Tekst: https://helpx.adobe.com/premiere-pro/using/create-multi-camera-source-sequence.html |
Multicam | ||
7. vaja | delo z več kamerami |
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15 April - 21 April | 8. vaje - zvok | |
8. vaje - Zvok v Adobe Premiere Pro | ||
22 April - 28 April | 10. vaje | 10. vaje: barvna korekcija: kompozicija: nove stvari v verziji 2019: |
6 May - 12 May | 11. vaje - Adobe Audition | 11. vaje: Audition: |
vaje za Audition | ||
zvoki | ||
13 May - 19 May | After Effects - Basics |